Writing One's Death: Between Fiction and Testimony

40:1 (2000) Spring
Editor(s): Bruno Chaouat

Table of Contents

• Guillaume de Lorris "Rose" or the Mourning Beat of Narcissism
• Author(s): Claire Nouvet
• Pages: 3 - 13

• Future's Phantoms, or Reincarnations of the Parricidal Past in the "Roman d'Eneas"
• Author(s): Zrinka Stahuljak
• Pages: 14 - 24

• Nothing to Say: Fragments on the Mother in the Age of Mechanical Reproduction
• Author(s): Elissa Marder
• Pages: 25 - 35

• The Tears of Philosophy
• Author(s): Didier Maleuvre
• Pages: 36 - 46

• The Last Word: Deathbed Scenes in the Works of Nathalie Sarraute
• Author(s): Mark D Lee
• Pages: 47 - 57

• Patchwork Beckett
• Author(s): Ann Smock
• Pages: 58 - 68

• Passive Suicide
• Author(s): Monica Kelley
• Pages: 69 - 78

• Writing the Ending: Simone de Beaucoir's "Tout compte fait" as Testament
• Author(s): Susan Bainbrigge
• Pages: 79 - 87

• ‘La Mort ne recèle pas tant de mystère’: Robert Antelme’s Defaced Humanism
• Author(s): Bruno Chaouat
• Pages: 88 - 99

• L’Identité posthume dans "Le Paradis" d’Hervé Guibert
• Author(s): Isabelle Décarie
• Pages: 100 - 110