French and Beat Literatures: A History of Mutual Appropriation, Reception, and Translation

58:4 (2018) Winter
Editor(s): Véronique Lane
Read on Project MUSE

Table of Contents

• Introduction: Materializing the “Eternal French Connexion”
• Author(s): Véronique Lane
• Pages: 1 - 14

• The Representation of Literary and Cultural Paris in Olympia Review (1961–1963)
• Author(s): Maarten van Gageldonk
• Pages: 15 - 30

• William Burroughs’ Cut-Ups Lost and Found in Translation
• Author(s): Oliver Harris
• Pages: 31 - 48

• Mary Beach and Claude Pélieu’s Translations and Adaptions of Allen Ginsberg’s Work
• Author(s): James Horton
• Pages: 49 - 63

• La Beat Generation en France : Avant-garde vs Underground
• Author(s): Olivier Penot-Lacassagne
• Pages: 64 - 75

• From Bucharest to the Beat Hotel: Isidore Isou and the Lettrist Revolution on the Left Bank
• Author(s): Andrew Hussey
• Pages: 76 - 88

• Tristan Corbière’s Amours jaunes in Allen Ginsberg’s Early Poetry
• Author(s): Véronique Lane
• Pages: 89 - 103

• Jean Cocteau et le sang poétique de la Beat Generation
• Author(s): Franca Bellarsi
• Pages: 104 - 119

• Jack Kerouac’s French, American, and Quebecois Receptions: From Deterritorialization to Reterritorialization
• Author(s): Susan Pinette
• Pages: 120 - 133

• American Schizo: William Burroughs and Semiotext(e)
• Author(s): Jason Earle
• Pages: 134 - 148

• Godard Gets the Blues: Movies, Music, and Baraka
• Author(s): Hassan Melehy
• Pages: 149 - 167