Femmes créa(c)tives: Women’s Creativity in its Socio-Political Contexts

58:2 (2018) Summer
Editor(s): Giada Alessandroni, Sandra Daroczi, Gemma Edney
Read on Project MUSE

Table of Contents

• Introduction
• Author(s): Giada Alessandroni, Sandra Daroczi, Gemma Edney
• Pages: 1 - 8

• Recréer au féminin au lendemain de la Décadence: Variations historiques sur la féminité sacrificielle chez Jean Bertheroy
• Author(s): Marie Kawthar Daouda
• Pages: 9 - 22

• Cinematizing Theatre: Sarah Bernhardt, Gabrielle Réjane, and the Early French Double Feature Film
• Author(s): Victoria Duckett
• Pages: 23 - 40

• Thinking Difference Differently: An Exploration of l'écriture féminine, Women's Art Practice, and Postfeminism
• Author(s): Jacqueline Taylor
• Pages: 41 - 55

• The Creative Powers of the Everyday in Chantal Akerman's Films
• Author(s): Corinne Maury
• Pages: 56 - 64

• Mother and Lover Equals Other: Varda's Mortal Critique of the Feminine as Annex to the Masculine Subject
• Author(s): Kierran Horner
• Pages: 65 - 80

• Creativity and the Feminine: Sexual Politics and Cinematic Aesthetics in Nadia El Fani's Documentary-Making
• Author(s): Marzia Caporale
• Pages: 81 - 95

• Zineb Sedira: De-Colonialism and Creative Acts
• Author(s): Laurel Fredrickson
• Pages: 96 - 111

• "On dirait que c'est honteux de devenir une femme": Narratives of a Girl's First Menses in Maïssa Bey's Bleu blanc vert and Leïla Marouane's La jeune fille et la mère
• Author(s): Maria Tomlinson
• Pages: 112 - 125

• CACAphonie: Humor, the Ludic, and Motherhood in the Words of Slam Poet, RiM
• Author(s): Andrea Jonsson
• Pages: 126 - 139