Cultural Exchange and Creative Identity: France/Asia in the Nineteenth and Early Twentieth Centuries

56:3 (2016) Fall
Editor(s): Aimée Boutin, Elizabeth Emery
Read on Project MUSE

Table of Contents

• France-Asia: Cultural Identity and Creative Exchange
• Author(s):
• Pages: 1 - 13

• Between Poetic Cultures: Ancient Sources of the Asian “Orient” in Marceline Desbordes-Valmore and Louise Ackermann
• Author(s): Adrianna M. Paliyenko
• Pages: 14 - 27

• A Natural History of Porcelain: Jacquemart and Le Blant’s Taxonomy of Japanese Design
• Author(s): Emily Eastgate Brink
• Pages: 28 - 46

• Crowdsourcing avant la lettre: Henri Cordier and French Sinology, ca. 1875–1925
• Author(s): Ting Chang
• Pages: 47 - 60

• La Maison Langweil and Women’s Exchange of Asian Art in Fin-de-siècle Paris
• Author(s):
• Pages: 61 - 75

• Postcards from Japan: Asian Dissonance in Mallarmé, Zola, and Proust
• Author(s): Gayle Zachmann
• Pages: 76 - 89

• Chen Jitong, Les Parisiens peints par un Chinois, and the Literary Self-Fashioning of a Chinese Boulevardier in Fin-de-siècle Paris
• Author(s): Ke Ren
• Pages: 90 - 103

• Knowledge of the East?: Paul Claudel and the Equivocal Nature of Intercultural Exchange
• Author(s): Pamela Genova
• Pages: 104 - 119

• Walking Underground: Two Francophone Flâneurs in Twenty-First-Century Tokyo
• Author(s): Akane Kawakami
• Pages: 120 - 133